| The
painting has a very distinctive character: the balance of the forms highlights
the subtle, at times bold harmony of the colors. |
|
|
Hélène
Albaladéjo |
|
|
|
| Every
one of Jacques Loiseau's landscapes is balance, sensation, consummate poetry. |
|
|
Isabelle
de Méré |
|
|
|
| Whether
landscape or "unstill" life, the colour bursts out with spontaneous
ease. |
|
|
P.
Richier |
|
|
|
| Spontaneous
life gushes from his landscapes and still-lifes which are so full of light
and sharp relief |
|
|
Marie-Laurence
Rey |
|
|
|
| All
of his work is joyful and pleasant to contemplate. These paintings communicate
strength and refinement, energy and sensitivity, doubtless the reflections
of great interior discipline and resources. |
|
|
Lina
Reine |
|
|
|
| His
paintings reveal a sensitivity composed of poetry, emotion and youth. |
|
|
Michel
Lauriol |
|
|
|
| As
Loiseau frolics, he keeps giving us friendly winks; his female portraits
are often alluring, at times impertinent; the modesty of the subjects chosen
for his still-lives fills us with deep emotion; the balance of the landscapes
allows their inherent poetry to shine through. |
|
|
Mireille
Sanchez |
|
|
|
| With
precise, individual strokes, using brush or spatula, he skillfully brings
harmony to the relations between differing tonalities. Freed from traditional
lines, he takes to"chromatism" and its convolutions, in which
clever plots intertwine, build up and unfold their stories. |
|
|
Monique
Barrat-Manuel |
|
|
|
| Every
one of these work, every one of these paintings has an intimist character.
That is without doubt what Jacques Loiseau is telling us. To paint is to
reveal an intimist relationship with the image. |
|
|
Nicole
Michalon |
|
|
|
| The
colours throw out light, are superimposed in rich slades, awaken each other
with their vibrations which give light to every subject. |
|
|
Joce
O. Selva |
|
|
|
| The
paintings are meticulously structured. They together reveal the artist's
poetic soul. A great lover of forms, colours, movements and words, he doubtless
remains somewhat naïve and betrays his taste for impressionists. But it
is all genuine Loiseau! |
|
|
Noël
Adam-Fert |
| |
|
|